Sofi Zhihui Zhang – Curator-Founder Advancing Digital Cultural Heritage
- Brainz Magazine
- Sep 9
- 3 min read
Updated: Sep 17
Written by Michael Turner
This summer in Hebei Province, one of China’s most historically rich regions and home to five UNESCO World Heritage sites, an exhibition has drawn national attention for its groundbreaking fusion of ancient artifacts and new media art. Resonance: Hebei Museum Imaginations – Digital Cultural Heritage Exhibition is the latest showcase of the pioneering vision of Sofi Zhihui Zhang. Zhang invited four international digital artists to reimagine nearly 70 artifacts from the Hebei Museum through generative animation, interactive 3D design, and immersive installation. Running from July to October, the exhibition translates ancient craftsmanship into digital language, projection, laser light, and responsive media, while retaining the artifacts’ cultural depth.
A researcher, translator, and founder of Mousa Art & Technology, Zhang is redefining how museums and audiences experience cultural heritage in the digital age. Far more than a traditional display, Resonance brings together leading new-media artists to reinterpret priceless artifacts through immersive digital interventions. By merging cutting-edge 3D technology with millennia-old craftsmanship, Zhang creates new pathways for the public to encounter history—transforming cultural relics into living dialogues between past and present.
A new way of experiencing history
At the heart of Resonance are digital reimaginings of two national treasures. The Western Han Gilt Bronze Boshanlu (博山炉), dating to 206 BCE–9 CE, is a censer shaped as a sacred mountain rising from the sea, adorned with dragons, immortals, and mythical beasts. Once displayed at the 2010 Shanghai World Expo, it remains a testament to the ingenuity and confidence of Han artisans. Equally remarkable is the Bronze Vessel with Inlaid Gold and Silver Bird-Script Inscription (错金银鸟篆文铜壶), whose rare inscription transforms calligraphic strokes into bird forms while preserving legibility. With fewer than ten such bronzes surviving, this example—shown in 2019 at the National Museum of China—stands out for the length and integrity of its inscription, marking it as a masterpiece of artistic innovation.
Under Zhang’s curatorship, these artifacts were reimagined through immersive installations using projection, laser light, and interactive media. By commissioning new works inspired by these treasures, she ensures they are not only preserved but reinterpreted—inviting contemporary audiences to see them with fresh eyes and connect with their cultural depth in unexpected ways.
Leadership at the intersection of art and technology
Zhang’s career has consistently bridged tradition and innovation. She was an Elizabeth Luce Moore Fellow at the National Palace Museum in Taipei and later a researcher at the Royal Ontario Museum in Canada. At the same time, she has curated acclaimed new-media art exhibitions in both China and the United States. Deeply engaged with contemporary art theory, she has contributed original criticism and translations to Artforum and LEAP, where she has written on some of today’s most widely discussed artists.
Through Mousa Art & Technology, Zhang leads projects that merge museum collections with immersive digital media, uniting rigorous scholarship with creative reinterpretation. Her exhibitions are recognized not only for advancing public understanding of cultural heritage but also for reshaping the practice of curating itself.
Her vision also places her at the center of a global movement. The European Commission Recommendation (EU) 2021/1970 calls for the 3D digitization of at-risk monuments by 2030, while leading institutions such as the Smithsonian Digitization Program Office and initiatives like CyArk + Google Arts & Culture’s Open Heritage are revolutionizing preservation and access. Major museums—the British Museum, the Louvre, and the Metropolitan Museum of Art—have likewise embraced VR and 3D platforms to transform visitor engagement. Against this backdrop, Zhang’s work positions her as a leader connecting China’s cultural heritage to the most advanced international practices.
Reimagining the future of curatorship
Zhang is active in some of the most innovative artistic circles in both China and the United States. She has delivered talks at venues as diverse as the Long March Project and the British Embassy in China, and she was the screenwriter and interviewer for a documentary on algorithmic art. In the film, Zhang explored the early use of computing and information technology in postwar art, framing the narrative around an interview with media art scholar Margit Rosen (Head of Collections, Archives & Research at ZKM; Expert Committee in Culture, German Commission to UNESCO). The documentary was later published online by the Central Academy of Fine Arts Museum, extending its reach to wider audiences.
This multifaceted career illustrates Zhang’s sophisticated perspective on the encounter between the ancient and the new. For her, digital heritage is not simply a matter of preservation—it is about creation, reinterpretation, and resonance. By merging ancient artifacts with contemporary aesthetics, she reframes how audiences experience history and redefines what curatorship can mean in the twenty-first century.
Through projects like Resonance, Sofi Zhihui Zhang demonstrates that the future of museums lies not only in safeguarding the past but in actively reimagining it. Her work exemplifies the originality and vision needed to carry cultural heritage forward—making her one of the most compelling curatorial voices of her generation.
